i’m currently into designer simon hasan’s work. using a medieval technique called something like “boiled leather”, he’s really proposing an interesting alternative to the boring space/hi-tech style that designers seem to have difficulties to move away from…
if you have a chance, check the hand-made issue of wallpaper magazine that features a story on him re-doing a poltrona frau seat his way, super interesting (as is this all issue) by pp’
Month: July 2010
deserto rosso 1964: michalengelo antonioni
by dd
Michelangelo Antonioni’s red desert with monica vitti
entire streets, grass fields and buildings were painted to achieve the color
audio commentary by italian film scholar david forgacs (this is quite nice), archival video interviews with michelangelo antonioni and monica vitti and a booklet featuring an essay by film historian mark le fanu, an interview with antonioni by jean-luc godard, and a reprinted essay by antonioni on his use of color plus the usual other crap on such discs. with many thanx to cdc. by dd
YUK! V magazine cover: the sexy body issue with adriana lima
we know that times are desperate, we get that bomb-shell curves are back in (granted not by choice rather by necessity of our western obesity), but can someone please explain what v magazine is doing/thinking. absolutely crass, mundane and uninteresting series of covers. you can add this to the bang ad by marc jacobs (see post). seems like crass/kitsch taste is quite back in fashion. quite happy to be well outside of it. by dd
Robert Duffy, marc jacobs president, stares down a damn camel in cairo
PURPLE NIGHT
i would personally never buy a magazine featuring mister zahm’s night accomplishments but i have to admit that their art director (gianni oprandi) is really on top of it as usual! by pp’
more mary frey! imagining fauna
some more super nice work from mary frey! see previous post if you haven’t by pp’
two of my favorite artist at this point in my life
beautiful things: oh beautiful things
gregg araki’s the doom generation
faye dunaway: the morning after the oscars
Harrier and Jaguar by Fionna Banner
i came across a recent commission of fionna banner by the tate britain. i must admit that i was unaware of her work before and feel like i’ve walked into a world i’ve been missing out on. her fascination with the emblem of the fighter plane gives us these elegant arrangements. she sees them as the ‘opposite of language’, used when communication fails …”harrier and jaguar remain ambiugous objects implying both captured beast and fallen trophy.” if you’re in london you can catch this exhibition until january 1011. i will definitely be exploring more of this delicately abrasive artists work. by kl