Hiroshi Sugimoto at gagosian gallery


“Naming things has something to do with human awareness, with the separation of the entire world from you. So with the Seascapes, I was thinking about the most ancient of human impressions. The time when man first named the world around him…
–Hiroshi Sugimoto

“7 Days / 7 Nights,” an exhibition of fourteen photographs from the Seascapes series by Hiroshi Sugimoto in an architectural setting of his own design. On exhibit through December 20 2008. Opening reception for the artist: Thursday, November 6th, from 6 to 8pm by dd

Elmyr de Hory

ask me what i consider to be the ultimate art work of the past two centuries, and I have to say it’s “f is for fake” by orson welles. like all great art works, you have to know the life and history of the artist to understand his/her created language. and if you do, you can not stand un-baffled by the graceful emergence of topics in this fictional documentary. this man is perhaps the GOD who blessed godard as his apprentice and servant. amazing work. thanks to my ultimate idol and teacher mr. george porcari.  many years ago, i discovered this film and the twisted, fascinating, ironic story of elmyr de hory, howard hughes/citizen kane, picasso, amedeo modigliani, ibiza, and art in general all in one.  it stayed with me through the years, and seeing it again for the third time tonight just confirmed its genius. maybe some one else will appreciate it as much today as i did 18 years ago…. thank you george! by dd



“Agnosia”
“I am the Sun in His Rising”
“The Divine Darkness”

all artists’s blood and hyssop oil on paper
60″ x 40″ (150cm x 150cm)
2008

ARTISTS WHO SURF: robert longo



for those of us on the east coast, the last dregs of summer bring the big waves generated by hurricanes born in the south atlantic. the unrelenting shore break drags posh beachfront real estate and frolicking beach-goers right out to sea without prejudice. this is the best time of year for east coast surfers, it certainly is for me. but this summer, the biggest waves I’ve seen are on paper in robert longo’s studio. We’ve had shit for surf all summer because there haven’t been any hurricanes.

earlier in the summer i decided to do a video project that i’m calling “artists who surf.” it is the perfect no-brainer, a moderate amount of studio interview time and a whole lot of surf time. robert longo, bill komoski and michael halsband were my first choices among a growing list artist-surfers. the way I see it, a good art video is one with a little chat with an interesting artist and then a lot of wave action. don’t you agree? read more from artnet

 

tobias wong : a beautiful mind

originally from vancouver, canada, tobias wong creates in new york. after studying art and architecture, he graduated in sculpture from the cooper union. wong treats design as a medium rather than a discipline to show how it embraces the aesthetics traditionally relegated to the fine arts. he’s coined the term “paraconceptual” to describe his dismantling of the hierarchies between “art” and “design.” in wong’s hands, both have similar goals.

tobias wong in his studio

remote control light switch designed for conduit group

real gold capsules… so you can shit gold… talk about social criticism

the “mirror” puzzle set a black one was done in collaboration with commes des garcon – good luck with that

wong has a way of looking at the ordinary and transforming it into something extraordinary, as expressed by his bent pencil (above), reverse diamond ring (below)

smoking mitt for those very cold days (below)

“protect me form what i want”

not merely conceptual, his work mocks its own consumption. wong literalized this message with a jenny holzer tattoo on his right forearm: “PROTECT ME FROM WHAT I WANT.” this maxim was written on wong’s flesh by holzer herself, then made permanent with injected ink. equally indelible are wong’s readydesigneds (replacing the anonymous readymade objects with well recognized designer pieces) refashioned. these new forms and aesthetic concepts brace against, appreciate, and invite desire. wong’s continuing exploration of this conundrum goes beyond the paraconceptual to projects he now refers to as “postinteresting”…