flamingly beautiful david lynch collaborator ms. chrysta bell, doing what she does best. by cm
clips
tau·ro·bo·li·um – noun
1. the sacrifice of a bull, followed by the baptism of neophytes in the blood, as practiced in the ancientrites of mithras or cybele.
“mondo taurobolium”, made by animator galen pehrson – for devendra’s closing track on his new album mala by kd
best business card… ever
what do you do? that is guaranteed… brilliant!!! by kt
happy halloween
i have been saving this michael jackson thriller interpretation for months! by lil
SKY – I KNOW.
i couldn’t resist.
and i’m coming to visit as soon as my bike’s fixed. by kl
what the fiac?
killer video from our friends at saywho for the fiac art faire 2013. “contemporary art for dummies”. great! by pp.
film
i know beckett isn’t for everyone, but i still laugh out loud every time i read waiting for godot; and of course, what’s not to love about buster keaton? a pastiche of buñuel, gary baseman, cocteau and hitchcock with an impulsive disposition. film is a film to preserve experience and cohesively explore beckett’s paradigms through the movements of a silent genius. by sv
whateverest
this was me last weekend. and probably next weekend. cool video for “inspector norse”, as groovy song by todd terje. the full video “whateverest” is available here by lil
the grand budapest hotel
i don’t know about you, but i sure am excited. by sv
luis and louis
buñuel and malle meet, smile, and discuss just who is truly more surrealistic in their celluloid pursuits? maybe they just talked about how much they love this song and how it should’ve been their nonexistent sitcom’s intro music. by sv
coffee shop surprise!
perhaps next time you’ll think twice about being such a pain in the ass about that triple mocha soy latte? by hk
we have an anchor
Jem Cohen: We Have An Anchor from EMPAC @ Rensselaer on Vimeo.
i attended the friday night screening of jem cohen’s we have an anchor at BAM. the film had a three-night run at the harvey theater, a beautiful space for both film and performance. many moons ago nick cave scored a rendition of kafka’s metamorphosis there, and i had a lovely august saturday seeing woody allen’s summer ode to a streetcar named desire, blue jasmine. shown on five screens and featuring a seven member musical ensemble, cohen’s film is a melancholy ode to cape breton, the island off the northeastern coast of nova scotia. the ensemble featured such musicians as jessica moss, efrim manuel menuck, sophie trudeau, mira bilotte and jim white; all painstakingly present in the score they also composed. a film of few words with noteworthy exceptions, such as the poet elizabeth bishop, it is a quaint, convalescent mixture of past, present and future–beautifully depicting a graveyard of ideas. cohen came out and gave a little wave of his cap after the performance; many were moved, as i overheard in both the corridors and the front of the theater. what’s certain, to me, is that this film undoubtedly belongs in the permanent collection of moma, or maybe criterion, if they’re feeling arty. to learn more about the “unusual but accessible” mr. cohen, read here. by sv