film

samuel beckett and buster keaton on set of film

 

i know beckett isn’t for everyone, but i still laugh out loud every time i read waiting for godot; and of course, what’s not to love about buster keaton? a pastiche of buñuel, gary baseman, cocteau and hitchcock with an impulsive disposition. film is a film to preserve experience and cohesively explore beckett’s paradigms through the movements of a silent genius. by sv

whateverest

this was me last weekend. and probably next weekend. cool video for “inspector norse”, as groovy song by todd terje. the full video “whateverest” is available here by lil

we have an anchor

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Jem Cohen: We Have An Anchor from EMPAC @ Rensselaer on Vimeo.

i attended the friday night screening of jem cohen’s we have an anchor at BAM. the film had a three-night run at the harvey theater, a beautiful space for both film and performance. many moons ago nick cave scored a rendition of kafka’s metamorphosis there, and i had a lovely august saturday seeing woody allen’s summer ode to a streetcar named desire, blue jasmine. shown on five screens and featuring a seven member musical ensemble, cohen’s film is a melancholy ode to cape breton, the island off the northeastern coast of nova scotia. the ensemble featured such musicians as jessica moss, efrim manuel menuck, sophie trudeau, mira bilotte and jim white; all painstakingly present in the score they also composed. a film of few words with noteworthy exceptions, such as the poet elizabeth bishop, it is a quaint, convalescent mixture of past, present and future–beautifully depicting a graveyard of ideas. cohen came out and gave a little wave of his cap after the performance; many were moved, as i overheard in both the corridors and the front of the theater. what’s certain, to me, is that this film undoubtedly belongs in the permanent collection of moma, or maybe criterion, if they’re feeling arty. to learn more about the “unusual but accessible” mr. cohen, read hereby sv

electrocuting an elephant with nikola and tom

earlier today, in the dreary cabin in the middle of nowhere known as ts headquarters, we were discussing the differences between nikola tesla, thomas edison and their feuding. more specifically, the war of the currents. the subject came up following a series of paralleled conversations, particularly why there is a difference with 110 and 220 voltage in the united states and europe. basically, the system of three-phase alternating current electrical generation was invented by tesla, and he found that 60hz (cycles per second) was the best frequency for an AC (alternating current) power generation. tesla preferred 240 volts, which angered edison, whose DC (direct current) systems were 110 volts. our mindful kt then added that edison (in my opinion just a lucky inventor and by no means on the scientific level tesla was) had once electrocuted an elephant. we found the video, and if you haven’t seen it, it’s disturbing but historically present. i could go on about their differences, in hygiene and interpersonal skills, but we can leave that for another post on some other day. by sv

BUTTERFLY – BY JASON KIBBLER

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the site won’t let me embed, so here’s the link

once zhuang zhou dreamt he was a butterfly, a butterfly flitting and fluttering around, happy with himself and doing as he pleased. he didn’t know he was zhuang zhou. suddenly he woke up and there he was, solid and unmistakable zhuang zhou. but he didn’t know if he was zhuang zhou who had dreamt he was a butterfly, or a butterfly dreaming he was zhuang zhou. Between zhuang zhou and a butterfly there must be some distinction! this is called the transformation of things.

a new gorgeous film by jason kibbler (of cadence nyc), styled by tony irvine, hair by rolando beauchamp, makeup by frankie boyd, creative direction by kimberley norcott, music by tristan bechet.

the evolution of sensual sensitivity in smashion films — check it!  by kl