hell x wool




painter christopher wool and poet/writer/singer richard hell teamed up together on a serie of drawings and a book called psychopts and presented at john mcwhinnie gallery a couple a years ago.
what is interesting there is that beside the visuals, the collaboration is about coming back to a roots for wool. the paintings that made him famous where based on hell’s words. there is this nice story about wool asking courteously to hell about permission to use his words when hell in a punkish way was assuming the words were not his own. just words together.
this one is for dd’
richard hell: i went over to christopher’s and saw his painting. on the original album cover i’m standing there holding my jacket open, and i don’t have a shirt on underneath. and in magic marker i have across my chest, in all caps: YOU MAKE ME ____. it was just a blank. an underscore. anyway, when i saw the painting, christopher had filled up its entire surface with “YOU” on top of “MAKE” on top of “ME.” and i said, “wait a minute. where’s the ‘blank’?” and he said, “well, how about i just leave a space at the bottom?” which is what he did. there’s an empty line below the last word. so it worked out great. i was impressed by how casually he was willing to make what seemed like a major change. it seemed gallant. and like . . . self-confident, and suave. the guy was a gentleman and an artist.
by pp’

jacques


http://vimeo.com/moogaloop.swf?clip_id=9059701&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1

i’m sure kl and kv won’t be 100% happy with this post (as well as blogger that won’t take off the warning for nudity) but i really like this magazine and the video that comes with it. it reminds me of the golden age of playboy (that i never knew). on top of that, it has the same name as my dad, can’t go wrong 😉 by pp’

tangier group

“peter orlovsky legs crossed mysterious-haired, w.s. burroughs with camera & hat shading mediterranean sun, myself (allen ginsberg) white pants earnest, alan ansen resolute visiting from vanish to help type new apocalyptic cut-up overflow material from naked lunch, gregory corso sunglassed & minox’d, a gambler at casino, ian sommerville assisting sound-collage electronics & stroboscope alpha-rhythm dream machine experiments with bill b. & brion gysin then in town, paul bowles squinting in bright mid-day light seated on ground, all assembled outside bill’s single room, villa muniria garden, my camera in michael portman’s hands, tangier maroc july 1961.

(ginsberg caption) c. allen ginsberg estate. holala, attention, best of the best! by pp’

for sale




in need for a change? well, the “cabaret normand” in villervile is for sale, 10 minutes from deauville, two hours from paris. the restaurant and b&b; that was featured in henri verneuil 1962’s “un singe en hiver” with jean paul belmondo and jean gabin remains exactly the same.
went there once and really loved the atmosphere there so when i heard it was for sale i smiled imagining myself behind the bar 😉 by pp’

logorama vs. the child

also, since we’re in the cinema section, the movie i saw yesterday was logorama, the short animated movie that won the oscar. that was really cool and i was kind of proud as the guys who made the film (h5) went to the same school as i did!…

for the ones interested, here’s a funny bit, one of the first jobs these guys ever done was the video clip for alex gopher “the child” which is not very far from logorama after all. by pp’

scorcese 10 favorites movie posters

i’m not very proud of my source here but a certain magazine is featuring the 10 favorite movie posters of martin scorcese as well as an interview of the man to go with the release of a coffee table book celebrating hollywood’s vintage movie posters.
here is an extract “For me, and anyone who grew up before a certain time—sometime in the 1980s I’d say—posters were a key part of the moviegoing experience. You’d walk through the lobby, and you’d look at the poster, usually accompanied by lobby cards and often by stills and promotional language, of the film you were about to see, and the one that was coming next. You’d hold and absorb the image in your mind’s eye. Part of the excitement then was in watching the actual film and comparing it with the possible or likely film you’d conjured up during the few seconds you’d looked at the poster.” the rest is here and the book is here. by pp’ 😉

dirty




absolutely beautiful piece by brooklyn based designer roland tiangco. sums up everything!

described as follow on his website: “a poster the recipient completes by revealing spot-varnished type with hands made dirty by handling the poster, the back of which is coated with powdered pigment. this is the first of a series of posters.” genius! click on the images to get a better look

by pp’