don’t go changin: model ANDREJ PEJIC


we couldnt include this image in the other post as the colors didn’t match but as you may know shes a he and doing it quite well.

so far so good… but we hope andrej doesn’t go through any plastic surgery and kitsch-ify this whole thing. so far its dignified. it goes like this, a pretty young aussie boy, dressed up to look like a girl, receives money and fame. nothing wrong there. work it all the way, but don’t do the sex change thang, you’ve been smart and having it all. just don’t pander to them, not even victoria’s secret, be who you are and if they take you then go as you are. weve been trying to sell make up to boys for years, the day will come. by dd

Hotest dude ever: model andrej pejic

the boy that stole the show: andrej pejic at the jean paul gaultier show

andrej pejic is so hot it really doesn’t matter if he’s a boy or a girl. he can be a cool one either way and hes surely welcome to our party any day…. however i think this finally sets a great pivotal point in the business that we call fashion. from the start, fashion was run by men for women. who else would make you walk on a stilt we call high heels? as the more tasteful, sensitive gay boys flocked to this venue they began to create their own “ideal image of a women”… (this mind you is just a theory–so don’t go changing any text books yet). that ideal image was of course not one of a women really, but of a young boy, pretty and gentle and kind, perhaps reading proust (just the way we like em). so out went the fashion image of a woman, from the hefty, well-fed, aristocrats, to flatter and skinnier girls resembling 12 year olds in mid puberty (this of course, made the pedophiles quite pleased with the new code). women, and i’d say rightfully, began to take note and made a fuss… wondering what to do with their bulbous butts and once well-sought after breasts? they demanded to regain their place in the spot light to no avail. time went by and the feminists took their jabs, screaming anorexia and heroin chic as their witness, no one listened, not even kate. finally with andrej the cat is out of the bag. no more pandering to those “women” types wanting attention. now the ideal image of their woman is finally a man… and that’s that… and if you don’t like it we can surely take this outside. by dd

filling the Gap in china: gap ads by annie Leibovitz

our pal, ex kid robot designer and current thunderdog wiz, tristan eaton is featured along with the lovely celine lau, buttoms up, in the latest expansion of the fishers factory-the gap in china, photographed by annie leibovitz. the campaign screams of the uniqlo ads that ran in NY featuring mortals such as terry richardson, ryan mcquinly, and the like. that said, i must add that the inclusion of tristen eaton to the mix surely balances the lameness of such pop icons as usher, and if i ever had to “gap together” i would have picked celine lau hands down. well done. by xy

font that tshirt: Masashi Kawamura

“T” shirts are shirts that were designed by masashi kawamura to have the silhouette of 5 famous typefaces; helvetica, caslon, baskerville, courier, and cooper black… the above two displayed on mandy harris and kana-kimura (aka bob’s girlfriend). more info now idea / utrecht (www.utrecht.jp) by dd

vintage & creamy

vintage images from mmm, issey miyake and zucca. no particular reason, just because they’re so nice and all in the creamy tones, so, you know… and because no one ever did such a smart fashion show invit’ as the mmm.  (kl, is it you on the zucca campaign? miss you). by pp



hermes – koto bolofo

ok, i’m really into seeing what’s in the back of brands, studios or people’s place. a voyeur bad habits that i share with a lot of people around considering the success of the selby or all the campaign that used him lately. so this is where the issue is, i’m growing very tired of
seeing brands jumping at every trends. it’s been two or three years that the selby guy is used over and over again in every possible way… come on guys! anyway hermes is doing what they done for many more years than the others and in a far subtler and classier way. it’s shot by koto bolofo and it’s published by steidl… can’t go wrong. more. by pp.