this blog is a visual notebook of inspirations for a group of bandit bloggers. we post things we see and like. our lives don’t revolve around singular topics and neither does our blog. sorry! nothing is in-or-out of context here. enjoy xx
NZZ (swiss-german newspaper) on sunday nov 14 2010:
monsieur godard, next saturday, the academy of motion picture arts & sciences will award you an honorary oscar for lifetime achievement. what does this mean to you?
JLG (jean-luc godard): nothing. if the academy likes to do it, let them do it. but i think it’s strange. i asked myself: Which of my films have they seen? do they actually know my films? the award is called the governor’s award. does this mean that schwarzenegger gives me the award?
NZZ: where do you see yourself in the history of cinema?
JLG: next door. – interviewed by christian jungen for NZZ by cdc
seeing “the trial” post below got me all sentimental about the man. he was really a wonderfully talented man. my favorite film, or i must say “piece” remains “f is for fake”. an amazing piece of art/film by welles. how we miss him. by dd
a troubled monica vitti with british actor richard harris who walked out on antonioni after asking antonioni “why am i walking across the field?” to which antonioni replied “you’re an actor, you don’t question me, you do what i tell you to do” entire streets, grass fields and buildings were painted to achieve the color
talking about deserts…. this is what you can call a great film, i saw it again tonight for the 4th, or 5th time, and it was as if i was seeing things for the first time. granted i’m rather forgetful, but that’s another story. the color and composition in this film are rather extraordinary, antonioni is the painter rather than the director in this film. so much pain was taken at the time in 1964 to create the color palette that antonioni was after on this technicolor film, including painting entire stone streets brown, buildings black, trees white, leaves brown, trash gray, earth red not to mention the “gray” fruit… it’s truly a beautiful film, and worth seeing it with no sound just purely as a visual feast, a rothko painting of sorts.
audio commentary by italian film scholar david forgacs (this is quite nice), archival video interviews with michelangelo antonioni and monica vitti and a booklet featuring an essay by film historian mark le fanu, an interview with antonioni by jean-luc godard, and a reprinted essay by antonioni on his use of color plus the usual other crap on such discs. with many thanx to cdc. by dd
just saw the documentary by french filmmaker stephen kijak. shot in the south of france during the stones exile tour, accommodated by their private jet and all, due to “unbearable” british taxes, hah! was a great watch and included some amazing-intimate-still-images of a band, too big to call, rock and roll. will try and post some more images later. recommended. by dd
sometimes there are things i don’t understand. for instance, i really don’t get why daddy coppola’s tetro went so unnoticed and so untold about. here is the story: i was in paris a couple of months ago and it was getting released there. critics were totally crazy over the movie saying it’s such a great movie, coppola was interviewed on every radio, tv and so on to talk about it. when i get back here, i checked to see when the us release was to see it again. what i saw was a bit strange, the movie was released eight months before, and it had no press at all, nothing! it was featured in two theaters for two days… what’s going on? that’s a really beautiful movie, gallo is very good, black and white is perfect…you can’t miss that, you know what to do this weekend. by pp’
was checking the Phoenix diary the other day and i saw this old post by christian. he was basically saying he went to one of those small theater in paris for a screening of rosselini’s roma, citta aperta, and was alone in the room, so i guess he had fun… well i think the images are really nice. worth sharing. by pp’