i’m even more impressed now. by dd
must see films
the many faces of Orson welles
seeing “the trial” post below got me all sentimental about the man. he was really a wonderfully talented man. my favorite film, or i must say “piece” remains “f is for fake”. an amazing piece of art/film by welles. how we miss him. by dd
deserto rosso 1964: michalengelo antonioni
by dd
Michelangelo Antonioni’s red desert with monica vitti
entire streets, grass fields and buildings were painted to achieve the color
audio commentary by italian film scholar david forgacs (this is quite nice), archival video interviews with michelangelo antonioni and monica vitti and a booklet featuring an essay by film historian mark le fanu, an interview with antonioni by jean-luc godard, and a reprinted essay by antonioni on his use of color plus the usual other crap on such discs. with many thanx to cdc. by dd
gregg araki’s the doom generation
faye dunaway: the morning after the oscars
jane march where are you?
anybody seen jane march lately? by pp’
Rolling Stones Revisit: 1972’s Exile on Main Street documentary
just saw the documentary by french filmmaker stephen kijak. shot in the south of france during the stones exile tour, accommodated by their private jet and all, due to “unbearable” british taxes, hah! was a great watch and included some amazing-intimate-still-images of a band, too big to call, rock and roll. will try and post some more images later. recommended. by dd
the story of three loves
moira shearer and james mason avec rachmaninoff’s “rhaposdy on a theme of paganini”… very buti-full indeed. by dd
you can’t miss “tetro”
sometimes there are things i don’t understand. for instance, i really don’t get why daddy coppola’s tetro went so unnoticed and so untold about. here is the story: i was in paris a couple of months ago and it was getting released there. critics were totally crazy over the movie saying it’s such a great movie, coppola was interviewed on every radio, tv and so on to talk about it. when i get back here, i checked to see when the us release was to see it again. what i saw was a bit strange, the movie was released eight months before, and it had no press at all, nothing! it was featured in two theaters for two days… what’s going on? that’s a really beautiful movie, gallo is very good, black and white is perfect…you can’t miss that, you know what to do this weekend. by pp’
roma “citta aperta” x christian from phoenix
was checking the Phoenix diary the other day and i saw this old post by christian. he was basically saying he went to one of those small theater in paris for a screening of rosselini’s roma, citta aperta, and was alone in the room, so i guess he had fun… well i think the images are really nice. worth sharing. by pp’
TWO-LANE BLACKTOP: the criterion collection
two-lane blacktop is a fantastic film from the archives, now available from the criterion collection. i picked up 3 copies, just to be safe. the issue includes a beautifully printed script book worth the full price alone, plus a whole dvd of additional content like interviews with monte hellman and james taylor. it’s a must see film if you haven’t seen it. by dd