a visual collective outlet of inspiration
during a night in february 2008, deyrolle, the most famous taxidermist in paris, was burned down almost entirely. after the fire, the place looked like beirut and all those sublime stuffed animals were disfigured. photographers martin d’orgeval and laurent bochet documented the place, it’s beautiful and moving. by pp.
photography
dan tobin smith – perspectival studies
well… i don’t know exactly what it is, but i am intrigued by the name perpsectival study and its author the still life photographer dan tobin smith (and the name of the retoucher but i guess nobody care about that). the bookshelves in the background remind me of the great bernard pivot’s literary tv show “apostrophes”… it’s an insider reference for french people. anyway, i think it is really nice and that definitely deserve a post. by pp.
jsbj – je suis une bande de jeunes
jsbj self publish fanzine-like books of photographers. it’s so nice and powerful that it’s making me feel bad about not doing this kind of things. of course everything is out of print so forget about owning a print but i will be on the starting block for the next one. moving! by pp
viviane sassen – sol&luna
i remember the work of photographer viviane sassen in some magazines years ago.
and now there is this book “sol&luna;”, assignment from our legacy and libraryman co.
it’s described as:
“a specially made and well-built series of imagery with androgyny and beauty as the key principle”
just so nice! by pp
terry richardson’s early years
john french with fiona campbell-walter above
back in the day things were a little different. photographers have always enjoyed to jump into the frame. above is john french with fiona campbell-walter ‘then’, and below is terry richardson with kate moss ‘now’. by kl
sam taylor wood: women in the city… and a chair
was sending some pix to a friend and thought that sam surely deserves a post after all. never thought of it before, but tonight it reminds me of robert longos men in the city series in a glance! by xy
masao yamamoto
i went through an old issue of the great photography magazine “foam” and reminded how beautiful is the work of japanese photographer masao yamamoto. i actually own a book of his work but the other contributors of this blog keep an hand on it… more here
“masao yamamotois a japanese photographer who creates images that are essentially vignettes of nature and the human intersection with it, ruminating over the passage of time and memory. yamamoto has had solo as well as group exhibitions in europe and the united states. his work evinces a talent for combining virtuosity as a photographer with the fresh gaze of a child.”
by pp’
carlo mollino – plaroids
this story is as nice as the pictures. when designer carlo mollino died, his executors found in a wall of his studio, few thousands polaroids of mostly naked girls (i only show very decent ones here otherwise mister google or kl won’t be happy, but feel free to check further, petits cochons…). he started to take those pictures in the 60’s and did it until he died. the models were random turin’s women. there is a charming aspect in the fact he did it for himself, not thinking it would ever be displayed. most of the time, pics were staged in his apartment against backdrops and around furnitures he had design. and when checking actual images of the place, you can recognize the tiles or curtains from the polaroids, nice! by pp’
arthur rimbaud
this is a picture that was widely talk about in europe in the last few weeks but never heard of or read a line on it on this side of the atlantic. well, the story is pretty nice, until very recently there were very few known photos of poet arthur rimbaud. basically, only one real, from when he was a late teen (see attached) and four others on his death bed but they are so dark and out of focus that it’s almost abstract… whatever, two parisian booksellers found a picture and had an intuition when the checked the dating and place where the shot was taken. after verification, double checking with biographers and all sorts of people, it seems it is then the second real picture of arthur rimbaud… nice. makes me wonder how many shots of rimbaud or people alike are sleeping in some people’s drawers. the photo, dated to the 1880ies, shows arthur rimbaud surrounded by seven people on the terrace of the hotel univers in Aden, Yemen. by pp’
villa malaparte x le mepris x francois halard
really into the french 60’s things these days, but totally obsessed with the villa malaparte which is definitely a character on its own in godard’s “le mepris”. saw the gigantic and amazing “fresson prints” photographer francois halard did of the pictures he took there few years ago. grand! hope he will show them at the “rencontres d’arles” where he’s feature this year. (not positive but i remember reading somewhere that the blue couch on the bottom picture of halard’s own house is the actual couch from the movie… it was green last time i was at his place though) by pp’
ogawa kazumasa – flowers
ogawa kazumasa is known as one of the pioneer in japanese photography. he came in the usa in 1882 when doing the trip from japan was not so common, there he learned the then new process of the dry plate as well as the collotype printing. upon his return to japan two years later, he opened the first photographic studio in tokyo and the first collotype business in japan few years later. even if he is widely known for the pictures he took as an assignment of tokyo’s 100 most attractive geishas, the flowers i discovered a week ago are to me, his one masterpiece, if you consider they were shot in the 1890’s then perhaps mapplethorpe, penn, blossfeldt and friends can consider him as their “papa”, love it! by pp’
ruscha x kerouac
in 1951, jack kerouac wrote “on the road” on his typewriter as a continuous 120 foot-long scroll. few years later, in 1966, ed ruscha photographed “every building on sunset strip” and presented it on a 27 foot-long scroll. ruscha since confessed his obsession for his road heir in a book released by the great steidl in association with gagosian gallery.
“over the last couple of years, ruscha has turned his attention to on the road, resulting in his own version of kerouac’s beat bible. kerouac’s entire text appears accompanied by black and white photographic illustrations that ruscha has either taken himself, commissioned from other photographers, or selected from found images to refer closely to the details and impressions that the author describes, from car parts to jazz instruments, from sandwich stacks to tire burns on a desert road.”
the leather-bound book comprises 228 pages, signed and numbered by the artist in an edition of 350 and presented in a slip-case. we won’t write the price because it’s depressing… by pp’
