yves saint laurent again! villa mabrouka – tangier




we said that we would be done with yves’ but it seems that it’s a never ending posting.
so last but not least, here is the tangier villa of misters saint laurent and bergé…
less crowded and hot than marrakesh, with a direct view on the gibraltar detroit, tangier is definetly the ultimate place to be for the warm african summers… images let you imagine what it could have been… photos by the great ivan terestchenko by pp’

ryan mcginley : nice shift



rare are the photographers that can jump easily from art to commercial without loosing their style or interest. so ryan mcginley is definitely a successful one. after some commissioned work of his appeared in W, it seems clear that he was mature to do the jump. the recent levis ads confirmed it and the new missoni’s make it sure. by pp’

Stephen shore

turns out both, photographer/artist stephen shore, and fashion photographer karen collins who’s previous agent the katy barker agency closed shop are the 2 new additions to creative exchange agency. steven pranica, had this to say about shore: we are pleased to announce the addition of legendary photographer, Stephen Shore. CXA+ART explores alternative avenues of communication and distribution of art by aligning visionary artists and luxury brands to create visual content including art campaigns, limited-edition product designs, store installations, art books and brand sponsorship of the artist’s gallery and museum exhibitions.” go art and commerce… ooops sorry anne! by dd

We like Dean Kaufman



for a second season in a row, DEAN KAUFMAN has been tapped to photograph Phillips de Pury & Company’s Taste Makers series for its SATURDAY at PHILLIPS – aligning with Phillips’ April 25th auction of contemporary and urban art, photographs, painting and sculpture by the likes of Richard Prince, Marc Newson, Andy Warhol and more. by dd

richard prince copyright-infringement!

original image by photographer Patrick Cariou

(text via art newspaper) Lawyers for
Richard Prince and his dealer Larry Gagosian have responded to a copyright-infringement lawsuit filed by French photographer Patrick Cariou, vigorously arguing that Prince’s appropriation of Cariou’s photographs of Rastafarians for a recent series of paintings is protected under the US doctrine of “fair use”. The suit, filed in New York after Gagosian displayed the paintings in a show titled “Canal Zone” (8 November-20 December 2008), alleges that the defendants made unauthorised use of images from Cariou’s 2000 book Yes Rasta, an ethnographic survey of Rastafarian culture that the photographer assembled during a decade of research in the mountains of Jamaica. The Rizzoli publishing house, which co-produced the “Canal Zone” catalogue and was also named in the suit, filed a response denying that it distributes the book and claiming indemnity.

 

reworked image from the richard prince show

Cariou’s lawsuit is seeking unspecified damages as well as the “impounding, destruction, or other disposition” of all 22 paintings in the series—which combines the Rastafarian images with pornography and expressionistic brushwork—as well as all unsold catalogues and preparatory materials. In their answer to Cariou’s suit, Gagosian’s lawyers assert that Prince’s incorporation of the photographs is allowable under fair use, which permits the limited reproduction of copyright material for creative purposes. “Cariou’s copyrighted works,” the response states, “are factually based in that they are real-life photographs of Rastafarians as they appear in their native environments, whereas the works of art by Prince utilise small portions of the photographs, together with other images and media, to create a new and unique work which comments upon certain aspects of culture.” Gagosian’s filing further claims that “the creation and exhibition of Prince’s works was not commercially exploitative, was justified with a genuine creative rationale, and was done without bad faith”.

 

cariou’s vs. prince’s

In his response, Prince, a renowned appropriation artist who frequently uses others’ imagery in his work, argued that the photographs in Yes Rasta are not “‘strikingly original’ or ‘distinctive’ in nature”, and that his “transformative” uses of the photographs were “done in good faith and reflect established artistic practices”. Prince’s answer furthermore stated that his appropriation, which he claims is sanctioned under fair use, “poses no harm to the value of such photographs and any market value relating to the photographs has… been enhanced rather than decreased”. Lawyers for Prince and Rizzoli declined to comment, and Gagosian’s representation did not return phone calls. Prince was sued in the 1980s for copyright infringement related to another photographer’s work; the lawsuit, lodged by Garry Gross, was reportedly settled out of court.

In a telephone conversation, Cariou, who is based in Paris, bridled at the claim that Prince only used a small portion of his Yes Rasta photographs. “In my lawyer’s opinion and others’ opinion, this case goes way beyond fair use,” he said. “They used 30 pictures of mine. If you’ve seen the ‘Canal Zone’ book, it starts with Rasta, it ends with Rasta—it is the centrality of it, there is no question.” According to Cariou, the suit has now advanced to the discovery phase, during which his lawyer will try to ascertain how much money the defendants earned from the paintings, among other matters. Gagosian’s filing states that eight paintings from the series were sold, and Cariou says they were priced between $1.5m and $3m each. To Cariou, the defendants’ response has been “extremely arrogant”, particularly the claim that his work is not distinctive or original.

“I laughed,” he said. “I could be a really bad photographer, but in that case why did you use 30 of my pictures?” Cariou says that he has already received a “settlement proposal” that he would consider for a “just” amount. “But it’s a big number we’re talking about,” he says.

what do you guys think? as far as myself, i’m already set. by pp’

Hiroshi Sugimoto at gagosian gallery


“Naming things has something to do with human awareness, with the separation of the entire world from you. So with the Seascapes, I was thinking about the most ancient of human impressions. The time when man first named the world around him…
–Hiroshi Sugimoto

“7 Days / 7 Nights,” an exhibition of fourteen photographs from the Seascapes series by Hiroshi Sugimoto in an architectural setting of his own design. On exhibit through December 20 2008. Opening reception for the artist: Thursday, November 6th, from 6 to 8pm by dd

Steven Meisel Jigsaw puzzle!


Meisel has been reluctant to this day to publish his work in conventional print editions or books. But this special object will be a first: a signed, limited-edition jigsaw puzzle of an image from the amazing ‘Patterns’ story Meisel photographed for Italian Vogue. The 1000-piece puzzles are packaged in a custom box and are signed and numbered by Steven Himself. They have been produced in an edition of 1000 and are $750 each. A bargain considering the current times! by dd